Opinions of Tuesday, 9 December 2025
Columnist: Dr Juliana Akushika Andoh
Every generation leaves behind a new grammar of culture. For Ghana today, that grammar is written in hashtags, viral sounds, short videos, and emojis. The so-called “TikTok Generation” represents more than a digital trend, it is a profound shift in how identity, aspiration, and consumption are shaped.
For Ghanaian brands, the question is no longer whether to adapt but how to reimagine themselves for a generation that thinks, shops, and dreams on a screen less than six inches wide.
To engage the TikTok generation is to recognize that branding is not only about products but also about participation. Youth do not merely buy; they co-create. They remix jingles, parody adverts, and turn everyday items into cultural symbols. In this sense, branding in the digital age is less about control and more about conversation.
This represents a challenge to the old advertising model. Traditional branding spoke to the consumer. The TikTok generation demands brands that speak with them, in their language of trends, humour, and authenticity. To ignore this is to risk irrelevance; to embrace it is to tap into a new form of loyalty built on resonance rather than repetition.
Globally, we have seen youth-powered platforms redefine brands overnight. A Korean skincare product can go viral on TikTok and sell out in Los Angeles within hours. A simple dance challenge can propel an unknown Nigerian song to global charts. TikTok is not just entertainment; it is infrastructure for attention, shaping purchasing decisions, political sentiments, and cultural imagination.
For Ghanaian brands, this is a moment of both peril and promise. Our youth are hyper-connected, globally exposed, and locally creative. They scroll between Accra and Atlanta in the same feed. This means Ghanaian brands must compete not just with local rivals but with global giants in real time. Yet, it also means a well-crafted Ghanaian brand, if engaging enough, can go global without passing through traditional gatekeepers.
Practical Insights for Ghanaian Brands
How, then, can Ghanaian brands reimagine themselves for youth engagement in this TikTok era? A few pivots stand out:
1. Authenticity Over Perfection
Youth value “realness” over corporate polish. A shea butter brand that shares behind-the-scenes videos of women mixing by hand, with laughter and storytelling, may feel more relatable than a glossy billboard.
2. Micro-Influencers and Peer Trust
Rather than chasing only celebrities, Ghanaian brands should collaborate with micro-influencers, young people whose trust is built in smaller but highly loyal circles. A Kumasi-based food vlogger with 5,000 engaged followers may drive more authentic impact than a TV star with a million passive fans.
3. Cultural Remixing
TikTok thrives on remix culture. Ghanaian music, slang, and fashion can be woven into brand campaigns that invite youth to participate. Imagine a “Banku Challenge” or a “Made in Ghana Drip” trend that transforms local products into digital pride badges.
4. Short-Form Storytelling
Attention is now measured in seconds. Brands must learn the art of telling captivating stories in 15 or 30 seconds. A cocoa drink commercial may not need a full storyline but a catchy hook, relatable character, and shareable punchline.
5. Purpose and Social Relevance
Today’s youth are drawn to brands that stand for something beyond profit, sustainability, inclusion, or social change. A Ghanaian fashion brand that integrates recycling or supports youth skills training can translate its purpose into digital campaigns that resonate deeply.
The Ghanaian Opportunity
Youth engagement is not about gimmicks but about belonging. The TikTok generation in Ghana wants to see themselves, their humour, and their aspirations reflected in the brands they support. They crave brands that acknowledge their hustle, their wit, and their hybrid identities as both Ghanaian and global citizens.
Reimagining Ghanaian brands for this generation requires humility and boldness. Humility to listen, boldness to experiment. Those brands willing to hand the microphone to the youth, to let them co-create the meaning of products, will not only win relevance at home but potentially ignite global waves.
The TikTok generation is not waiting for brands to catch up; they are already shaping their own digital economies of attention and influence. For Ghanaian brands, the choice is stark: remain stuck in static billboards and one-way communication, or evolve into dynamic, participatory, and creative forces in the lives of young people.
If done well, this reimagination could turn “Made in Ghana” into a youth-led global movement. After all, a 15-second video from Accra today can be tomorrow’s cultural export. And in that sense, Ghanaian brands are standing not at the edge of irrelevance, but at the threshold of possibility.

