Ghana’s Most Beautiful 2025 continues to deliver cultural depth and breathtaking performances, and on Sunday, August 17, 2025, Naawere, representing the Upper West Region, left audiences spellbound with a moving and authentic showcase of Dagaaba funeral traditions.
Her act was not only captivating but also an enlightening journey into the customs, values, and artistry that define one of the most significant rites of passage among the Dagaaba people.

Naawere opened her presentation by drawing attention to the distinctions in funeral observances for men and women. She explained that when a woman dies, there is a four-day intensive mourning period to allow relatives from far and near to gather, while for a man, the mourning spans three days. Regardless of where death occurs—whether at home or in the morgue—an important ritual known as “the last bath” is performed indoors before the body is presented at the family house gate for final viewing.

A particularly striking moment in her act was the depiction of the body being laid on a specially crafted chair called the paalaa. This symbolizes dignity and ensures the deceased is visible enough for all to pay their last respects during wake-keeping.



Naawere’s performance beautifully highlighted how Dagaaba funerals, though solemn, are also cultural festivals in their own right—bringing together music, dance, fashion, food, and communal solidarity. From women preparing pito and the beloved sɛnsɛ (koose), to relatives adorning themselves in rich traditional attire, funerals in the Upper West Region embody both grief and celebration of life.



Central to her storytelling was the role of the konlaagmɛ (dirge singers), revered men of wisdom who honor the deceased with songs recounting their deeds. With poetic candor, they praise the virtuous and expose the flaws of those who lived less exemplary lives, serving as a moral reminder to the living. As they sing, mourners acknowledge their work by placing money in appreciation—an act of respect for the artistry and truth spoken in song.

Equally moving was her depiction of skilled xylophonists and gourd players whose music not only comforts the bereaved but also sustains livelihoods within the community. Naawere also revealed a profound Dagaaba tradition—placing money on the forehead of the deceased, a symbolic gesture of honor and respect.

Her presentation combined drama, music, emotion, and authenticity, transporting both judges and audience into the heart of Dagaaba funeral culture. The judges praised her for her eloquence, cultural depth, and stage presence, describing the act as “an educational masterpiece.”

Through her performance, Naawere reaffirmed the essence of Ghana’s Most Beautiful—using art to preserve heritage while educating and inspiring the nation.

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