Legendary Ghanaian music producer, Edward Nana Poku Osei, popularly known as Hammer, has cautioned any artiste who intends to work with him not to bring a girl to the studio.
Speaking on 3Music TV on April 4, Hammer opened up on how he relates with the artistes he works with and the secret to how he produces magical sounds.
He explained that his meticulous attention to detail, pursuit of perfection, and refusal to tolerate carelessness in the artists he collaborates with are the factors contributing to the finesse of the songs he produces.
“I am a very detailed person. One thing everybody knows about me is ‘Don't bring a girl to the studio,’ because when you come to my studio, you are a student.
“If you bring a girl to the studio to impress her and you're not careful, I will check you like you’re a student and I won't care whether or not there’s a girl there. So if you don't want to be embarrassed, don't bring anybody,” he said.
Hammer expressed that his dedication to his craft stems from his desire to ensure that both the artiste and the song earn plaudits from the public.
He added that such successes are only hindered by the ego and attitude of the artistes in question.
“People feel intimidated when they’re recording with me because my job is to make you shine. No compromises... If you do something that is not good, I will tell you spot on. I need to make sure that when you go out there, nobody can diss you.
“It can cost you a lot if you come to my studio with your entourage and your ego. So leave it (your ego) at the door, take your paper and pen and come and learn,” he added.
Hammer of The Last Two is a distinguished Ghanaian record producer.
He is the founder and CEO of The Last Two Music Group and is credited with the rise of several prominent Ghanaian Hip-Hop and Hiplife artistes, including Obrafour, Tinny, Kwaw Kese, Sarkodie, and Ayigbe Edem.
Hammer's influence in the music industry has been significant, particularly in the popularization of Hiplife, a genre that blends Ghanaian cultural rhythms with hip hop.
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